The film Mississippi Masala Essay Example for Free

The film Mississippi Masala EssayThe film Mississippi Masala portrays the Asians varied and confused identity in a multi heathenish in concert through an interracial love affair between Uganda-born Indian woman Mina (Sarita Choudhury) and an African-American man Demetrius (Denzel Washington) in the American South in 1990. The results of this brotherhood are intolerance and hostility from both communities. Nairs film is controversial and complicates the double complications of black and white but also challenges of huge problems of national and ethnic belonging. Minas culture origin is Asian Indian, Ugandan by birth, and isAmerican by migration. This interracial couple is strongly opposed by the minority of (White Americans) communities namely Minas. The film addresses the characters identity politically, in the interethnic encounter. The end finds the couple forced to elope to escape the pressures and pursue a new life extraneous of Mississippi. Mina embraces her memory of her ch ildhood in Uganda in the 1970s. She feels comfortable in the black disco in Greenwood. She embraces her identity as African despite her familys exile from Africa and migration to America.Mina, on the other hand settles in Mississippi with her family via England and works as a maid in her parents motel and belongs to the Asian Indian community in her adopted country. She is very close to her relatives and attends all the groups wedding ceremonies and other social events. Mina represents herself as the good girl, never an outcast among her Indian friends and relatives until her relationship with Demetrius is effect out. Minas identity here becomes more complicated than her inheritance from her Indian culture. Mina is the Masala in the title ametaphor, describing her embracing her Ugandan, African, and American roots. managing director Mira Nair chose the word Masala to describe diasporas concern with identity and group structure. I believed strongly that to be a Masala is to be mixe d is the new world order. So many of us think one language and are forced to speak another. Works CitedMira Nairs Mississippi Masala. Ed. Peter X. Feng. Screening Asian Americans. New Brunswick, NJ Rutgers University Press, 2002. Dir. Mira Nair. Burbank, Calif Columbia TriStar Home Video, 1992. First released by Mirabai Films, 1991.